Please use this identifier to cite or link to this item: https://dspace.qou.edu/handle/194/2616
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dc.contributor.authorHaneen Al-Diriyah-
dc.date.accessioned2021-12-01T09:48:31Z-
dc.date.available2021-12-01T09:48:31Z-
dc.date.issued2020-
dc.identifier.urihttps://dspace.qou.edu/handle/194/2616-
dc.description.abstractThis thesis described with: "The effect of the wine in the poetic trends according to Abu Nowwas: tradition and innovation and creation", and it consisted of an introduction, preface, four chapters, a conclusion, the results and the recommendations, in addition to the list of sources, references and index content at the end, and this thesis had been studied, in the first chapter, the definition of a wine language idiomatically, and the life of the poet Abu Nowwas personal and poetic, and this study highlighted, in the second chapter, the traditional poetic trends and innovation of it according to Abu Nowwas, together with the impact of the wine where, and it studied tradition and its causes according to Abu Nowwas, and innovation of Abu Nowwas poetry, and Poetic arts of abu nowwas between tradition and innovation, such as flirtation, praise, spelling, lamentation, description and pride, while the third chapter showed the New poetic (created) trends according to Abu Nowwas and the impact of the wine where, such as yeast, and heresy, and parcels, promiscuity, populism, asceticism, cynicism and humor, and admonitions and apologize, while the fourth chapter introduced technical features of public poetry and private wine poetry of Abu Nowwas, and populism poetry, also is studied the language of Abu Nowwas, and the artistic image, the intertextuality, the counterpoint, the alliteration. This study has proceeded according to a specific approach, and then I finished this letter with the conclusion, the results, and the recommendations, after which the list of sources and references, and the index content. This study has revealed the significant impact of the wine in many poetic arts from Abu Nawas, only a few arts from poetry of the vinic Arabic poetry Dean was escaped from this effect, especially in the Abbas’s era, and in this study, I have been able to show something new fit for It to the next days, on God’s willing, the Almighty.en
dc.language.isoaren
dc.publisherجامعة القدس المفتوحة/Al-Quds Open Universityen
dc.subjectEffect, Wine, Trends, Poeticism, Abu Nowwas, Tradition, Innovation, Creation.en
dc.subjectأَثَر، الخَمْرَة، الاتّجَاهَات، الشِّعْرِيَّة، أَبِي نُواس، تَقْلِيد، تَجْدِيد، استِحْدَاث.en
dc.titleThe effect of the Wine on poetic trends according to Abu Nowwas: tradition, innovation and creation.en
dc.typeThesisen
dc.description.arAbstractوُسِمَتْ هَذِهِ الأُطْرُوحَةُ بِعُنْوانِ: "أَثَرُ الخَمْرَةِ فِي الاتِّجاهَاتِ الشِّعْرِيَّةِ عِنْدَ أَبِي نُواس: تَقْلِيدًا وَتَجْدِيدًا وَاسْتِحْدَاثًا"، وَقَدْ تَكَوَّنَتْ مِنْ مُقَدِّمَةٍ، وَتَمْهِيدٍ، وَأَرْبَعَةِ فُصُولٍ، وَخَاتمَةٍ وَنَتَائِجَ وَتَوْصِيَاتٍ، إِضَافَةً إِلَى قَائِمَةِ المَصَادِرِ وَالمَرَاجِعِ وَفَهْرَسِ المُحْتَوَيَاتِ فِي النِّهَايَةِ. وَقَدْ دَرَسَتْ، فِي الفَصْلِ الأَوَّلِ، تَعْرِيفَ الخَمْرَةِ لُغَةً وَاصْطِلَاحًا، وَحَيَاةَ الشَّاعِرِ أَبِي نُواسٍ الشَّخْصِيَّةَ وَالشِّعْرِيَّةَ، وَأَبْرَزَتْ الدِّراسَةُ، فِي الفَصْلِ الثَّانِي، الاتِّجَاهَاتِ الشِّعْرِيَّةَ التَقْلِيدِيَّةَ عِنْدَ أَبِي نُواسٍ وَالتَّجْدِيدَ فِيهَا، مَعَ بَيَانِ أَثَرِ الخَمْرَةِ فِيهَا، فَتَنَاوَلَتْ التَّقْلِيدَ وَمُسَبِّبَاتِهِ عِنْدَ أَبِي نُواسٍ، وَالتَّجْدِيدَ فِي شِعْرِ أَبِي نُواس، وَفُنُونَ أَبِي نُواسٍ الشِّعْرِيَّةَ بَيْنَ التَّقْلِيدِ وَالتَّجْدِيدِ، كَالغَزَلِ وَالمَدْحِ وَالهِجَاءِ وَالرِّثَاءِ وَالوَصْفِ وَالفَخْرِ. بَيْنَمَا قَدَّمَ الفَصْلُ الثَّالِثُ الاتِّجَاهَاتِ الشِّعْرِيَّةَ الجَدِيدَةَ (المُسْتَحْدَثَةَ) عِنْدَ أَبِي نُواسٍ وَأَثَرَ الخَمْرَةِ فِيهَا، كَالخَمْرِيَّاتِ، وَالزَّنْدَقَةِ، وَالطَّرْدِيَّاتِ، وَالمُجُونِ، وَالشُّعُوبِيَّةِ، وَالزُّهْدِ، وَالسُّخْرِيَّةِ وَالفُكَاهَةِ، وَالعِتَابِ وَالاعْتِذَارِ، أَمَّا الفَصْلُ الرَّابِعُ فَعَرَضَ لِلسِّمَاتِ الفَنِّيَّةِ فِي شِعْرِ أَبِي نُواسٍ عَامَّةً، وَالخَمْرِيّ خَاصَّةً، وَالشِّعْرِ الشُّعُوبِيِّ، كَمَا تَنَاوَلَ اللُّغَةَ عِنْدَ أَبِي نُواسٍ، وَالصُّورَةَ الفَنِيَّةَ، وَالتَّنَاصَّ وَالطِّبَاقَ وَالجِنَاسَ. وَقَدْ سَارَتْ هَذِهِ الدِّراسَةُ وَفْقَ المَنْهَجِ الوَصْفِيِّ التَّحْلِيلِيّ، ثُمَّ أُنْهِيَتْ هَذِهِ الرِّسَالَةُ بِالخَاتمَةِ وَالنَّتَائِجِ وَالتَّوْصِيَاتِ، وَبَعْدَهَا قَائِمَةُ المَصَادِرِ وَالمَرَاجِعِ، ثُمَّ المُحْتَوَيَات. وَقَدْ كَشَفَتْ هَذِه الدِّرَاسَةُ عَنْ التَّأْثِيرِ الكَبِيرِ لِلْخَمْرَةِ فِي كَثِيرٍ مِن الفُنُونِ الشِّعْرِيَّةِ عِنْدَ أَبِي نُواس، وَلَمْ يَنْجُ مِنْ هَذَا التَّأْثِيرِ إِلَّا فُنُونٌ قَلِيلَةٌ مِنْ شِعْرِ عَمِيدِ الشِّعْرِ الخَمْرِيّ العَرَبِيّ، وَخَاصَةً فِي العَصْرِ العَبَّاسِيّ، وَلَعَلّي فِي هَذِهِ الدِّرَاسَةِ أَكُونُ قَدْ وُفِّقْتُ فِي تَقْدِيمِ شَيْءٍ جَدِيدٍ يَصْلُحُ لِأَنْ يُبْنَى عَلَيْهِ فِي قَابِلِ الأَيَّامِ -إِنْ شَاءَ اللهُ تَعَالَى-.en
dc.contributor.arAuthorحَنين محمد مَحْمُود الدِّيريّه-
dc.arTitle"أَثَرُ الخَمْرَةِ فِي الاتِّجاهَاتِ الشِّعْرِيَّةِ عِنْدَ أَبِي نُواس: تَقْلِيدًا وَتَجْدِيدًا وَاسْتِحْدَاثًا"en
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